Although Eugen Fink often reflected upon the role religion, these reflections are yet to be addressed in secondary literature in any substantive sense. For Fink, religion is to be understood in relation to “play,” which is a metaphor for how the world presents itself. Religion is a non-repetitive, and entirely creative endeavor or “symbol” that is not achieved through work and toil, or through evaluation or power, but rather, through his idea of play and “cult” as the imaginative distanciation from (...) a predictable lifeworld. This paper describes Fink’s understanding of religion and its most relevant aspects found in Spiel als Weltsymbol. The paper is organized into five sections—1: An introduction to his phenomenological approach in general, and description of the role of “play”; 2: investigations into the relation between play and world; 3: a description of his phenomenology of religion; 4: engagements in the idea of cult-play and the sacred sphere, and 5: reflection on his idea of the play of God. (shrink)

This article argues that Max Scheler’s conception of “religious acts” and his criticisms of types of “difference” help rethink the relevance of discernment and decision making, especially today, in an age in which we are faced with an unprecedented range of "options" in nearly every area of social lives. After elucidating Scheler’s engagements with religion in On the Eternal in Man, his work is then applied to rethinking more deeply the four steps of Christian discernment developed by the 5th century (...) Mystic, John Cassian. Since Scheler’s work offers detailed and passionate depictions of the religious relevance of "values", it is an untapped resource for expanding upon Cassian’s still relevant work on discernment; an expansion that is necessary in order to demonstrate the often overlooked importance of discernment. This article concludes by employing the work of these two thinkers to show how discernment can help “sort-out,” like good "money changers", the differences between 1) finite values and supreme values, 2) an authentic and inauthentic doctrine of God 3) true differences and superficial differences, and 4) the social imaginaries of theomorphism and anthropomorphism. (shrink)

If there is such a ‘post-secular’ milieu, mindset, or thesis, it will need to furnish its own interpretation of the ‘world’ in ways distinct from those championed by the secular. Indeed an essential aspect of the ‘secular’ is how it has interpreted the ‘world’ as the ‘space, time, and age’ in which things come into presence clearly, neutrally, and obviously. This paper interprets and compares some of Heidegger’s and Henry’s specific engagements with the theme of ‘world’, and how each thinker (...) claims the world itself is presentable as a phenomenon, namely, via disclosive moods and the self-revelation of life. Since the world can appear, and its phenomenality can be presented, an inquiry into the specific, inconspicuous means by which the experiences of the world’s neutrality, clarity, and obviousness might yield phenomenological description. What presents itself as neutral is precisely what demands attention by merit of its hiddenness. (shrink)

Some of the most powerful persons today are those most successful at convincing others they have the greatest claim to victimhood. This new, socio-political shift marks the rise of what recently has been called “victimhood culture.” This article addresses how certain Christian theological views on God’s wrath, along with differing appropriations of the church’s collective victimhood both have played significant roles in generating a “culture war of victimhood”—a mode of conflict in which individuals and parties fight for the status of (...) being the most socially oppressed and marginalized, especially for the purpose of gaining power. To better understand this collective intentionality of victimhood, the article provides a multidisciplinary exploration into recent works in sociology of religion, anthropology, and historical theology. (shrink)

At least for Schleiermacher, religion is life in immediate feeling. Whether or not we agree with him, immediacy can be understood as one essential aspect of feeling that makes feeling congenial as the means by which we tend to express the source of religious experience. Yet in general, immediacy is difficult to define and qualify. Is there a hope for immediacy in seeking “to be delivered from contingency”? Is immediacy expressed in the instantaneity of how qualities of things are given (...) in a “total interpenetration”? Or are “immediacy and mediation” always inseparable, thus leaving any “opposition between them to be a nullity”??[i] Might immediacy entail a threat to faith through the absolutizing of the relative? And finally, would not the absolute insistence upon mediation morph it into a new form of immediacy? It is against the backdrop of these questions that this paper investigates the constellation of roles immediacy might play in religious experience, and it does so through building upon the claims of Jean-Yves Lacoste and Anthony Steinbock in regards to religion. For Lacoste, “feeling” is not an adequate means by which we should give expression to religion, in part because it leaves religion responsive to an all too volitional and intentional account. Lacoste also prefers to conceive relation with the Absolute/God not as an experience, but as a non-experience. Whereas for Steinbock, even though emotions all to often are conceptualized according to sentimentality and solipsism, he undertakes to reveal that they in fact have an inherent inter-personal/Personal or Moral intelligibility. The paper builds up to the final claims that immediacy is a temporal expression of the unconditioned, yet that it is precisely this temporal element in relation to the Absolute that complicates the mediation/immediacy interaction. (shrink)

In Heidegger’s last seminar, which was in Zähringen in 1973, he introduces what he called a “phenomenology of the inconspicuous”. Despite scholars’ occasional references to this “approach” over the last 40 years, this approach of Heidegger’s has gone largely under investigated in secondary literature. This article introduces three different, although not necessarily conflicting ways in which these sparse references to inconspicuousness can be interpreted: The a priori of appearance can never be brought to manifestation, and the unscheinbar is interwoven with (...) the scheinbar as an active characteristic or form of “hiddenness”, therefore making inconspicuousness inherent within all phenomenology. Or, there is now a particular step or reduction within phenomenology that involves one’s being attuned to the various modes of potential hiddenness, of which “inconspicuousness” is a particular character trait. Or there are particular, unique, and specific phenomena that give themselves “inconspicuously,” and there is also thus a corresponding, particular phenomenology in which one must engage in order to gain some kind of access to these specific things’ phenomenal strata. This paper introduces Heidegger’s “phenomenology of the inconspicuous” most especially in his last seminar in Zähringen in 1973, engages related references to unscheinbar in his 1942/1943 Seminar on Parmenides, and then puts forward an interpretation of what these somewhat ambiguous references could mean when contextualized according to Heidegger’s overall interests. This essay brings these references to light, and puts forward a proposal as to what kind of phenomenology Heidegger was–somewhat inconspicuously–referring. (shrink)

This essay demonstrates Ricoeur’s explication of the various roles religion can play especially in regards to acts of collective violence, and also how his conceptions take us beyond the traditional dichotomies of religion as necessarily violent, or necessarily peaceful. It focuses on three essays where his most formidable reflections on religion and violence can be found: “Religion and Symbolic Violence”, “Power and Violence”, and “State and Violence”. First, the essay hermeneutically describes the intricate relationship between violence and religion within these (...) three essays, pointing to three perils of religion especially regarding communities, the figure of the magistrate within some religiously motivated political revolutions, and the danger of ecclesiastical orders demonstrating not only authority but also forms of domination. The essay then phenomenologically ties these three threads together, demonstrating a way of understanding both the promises and perils of religion as it relates to violence, both in the work of Ricoeur and beyond it. (shrink)

How we use our own victimhood and that of others has been changing in recent years. Today it may be used to decry an injustice of violence, to garner attention to our causes, to command a unique moral and ecclesial authority, or even to gain advantage over other groups. The many possible uses of victimhood lead us to study phenomenologically its influence upon our human condition, considering especially its cultural manifestations, and religious underpinnings. The contributions investigate the topic through four (...) sections: 1) Blame, Liability, Ressentiment, 2) Christianity, Atonement, Scapegoating, 3) Trauma, Survivor Guilt, Exile, and 4) Culture, Globalization Media. (shrink)

Inconspicuous turns: Heidegger and the "inapparent" theological turn -- Inconspicuous revelation: Marion, Heidegger, and an antinomic phenomenality -- Inconspicuous phenomenology: on Heidegger's unscheinbarkeit or inapparent -- Inconspicuous lifeworld of religion: Henry's "life," Heidegger's "world" -- Inconspicuous liturgy: Lacoste, Heidegger, and the space of godhood -- Inconspicuous adoration: Nancy, Heidegger, and a praise of the ordinary -- Inconspicuous evidence: Janicaud, religious experience, and a methodological atheism -- Inconspicuous faith: Chretien, Heidegger, and forgetting -- Inconspicuous God: Levinas, Heidegger, and the idolatry of (...) incomprehensibility -- The spectacle of God: inverting the sacred/profane paradigm. (shrink)